Tag Archives: aamir khan

the TALAASH ends here…..!


SPOILER ALERT!!!! (if you haven’t yet seen the movie, you might want to save reading this for later :))

Talaash is the kind of film that re-instates my faith in the hindi film industry, or rather in the “commercial” hindi film industry.

The credits are barely over and the first sequence of the film jolts you in your seat, pulling you into the story immediately. Aamir Khan enters the scene and so begins the unraveling of a mysterious death that seems to have no logical explanations.

Playing a hardened police man, Surjan Singh Shekhawat, Aamir Khan is delightful as the no-nonsense yet sensitive guy, with a tragic backstory. Rani Mukherjee, as his wife and the other half living their shared tragedy, underplays her character perfectly. Even though her role is not dialogue heavy, her acting is so emotive and sensitive, it is endearing. Dressed in simple sarees and minimal makeup, she blends comfortably into a policeman’s humble flat.

What I really miss in Bollywood movies is a good murder mystery, one that keeps you thinking and engaged till the very last. Talaash for me, was one such film that checked all the right boxes where story, direction, editing, acting and dialogue – were thought through and executed with detail and precision. Isn’t it obvious why Aamir Khan takes so long to make a film – the experience of watching it clearly evident when you come out of the movie hall amazed / thoughtful / surprised / delighted all at once.

Aamir Khan is undoubtedly the king of conviction, perfection and execution. His insistence on his movies / shows being produced by his own production house is what the production of his movies most often reflect. Though I wouldn’t say that’s true always, especially in the case of the recent PK.

 

Note: This post was written almost 3 years ago in Dec 2012. I found it sitting in my drafts folder today and decided to publish it as it was. The decision to revive the blog was rewarded with a ready piece of writing to lend me some much required encouragement and impetus. I hope to do it more justice this time. 🙂

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Ethical failure OR Unethical Triumph!


Just when we thought that here was a show that was going to be or already was about the real issues, was honest and well researched – there is a revelation that makes the whole thing come crashing down.

Satyamev Jayate – much awaited and publicized, produced by one of the most accomplished and “perfectionist” artists in the country – everyone had huge expectations along with  a good bit of curiosity about the show.

The issues this show brought up had never been addressed at a scale such as prime time national television. Especially in the kind of Indian society where we tend to close our eyes, ears and senses towards anything adverse that does not affect us directly. We choose to ignore what happens around us until it doesn’t rattle a good night’s sleep. The sense of community that has so fast dwindled, is now being given a wake up call through this show – – that puts an issue out there and talks about facts.

I was a fan from day one of the show being aired. I thought everything the show brought up was of relevance. While many expected every episode to have a heart wrenching, tear jerking subject – there were other not so emotional but equally important subjects that were dealt with and brought up. I also agree with the format of the show that not only showed the down side of the situation or subject in question but also brought out survival and success stories that become a living example for people to emulate.

It is definitely uplifting and encouraging to see live examples of people breaking through barriers of society, health, disability, etc. I think it is commendable that the show puts in the effort to find and bring such examples from remote parts of India – many of them well accomplished but unheard of.

But, an article I read in the Outlook (http://www.outlookindia.com/article.aspx?281646) really put a dent in my opinion of the show and how highly I thought about it. Wont go into much detail as the article talks about a couple of examples and one realizes that at the end of the day its all “showbusiness”. Especially striking is the Kaushal Panwar story / interview that was shot in an empty studio without any audience – and yet you see audience reactions on the show – and this has been twice confirmed . Also the bit about Bezwada Wilson, whose weeping face I cant seem to wipe out of memory.

Reminds me of the ads that used to run before the show started, when Aamir Khan is shown talking to his team presumably that its important that the janta gets emotional and angry when they watch the show – and thinking back to those now, it translates into how much a show can be prefabricated.

Anyway – – there is a huge amount of disappointment after the knowledge of these revelations. It has sadly also marred my liking and respect for one of the most thorough and  talented people from the film fraternity – there is a sense of having been cheated.

I think it is “unethical” of him to control the show in such a manner – since it addresses the nation and actually can have a very deep and positive impact on its viewers – as I think it was having on me – but after the knowledge of how the show is edited and put forth for the larger audience, I am going to be a little wary every time AK sheds a tear and will be a little cynical every time he dispenses the “what should be done / what is the right thing” advice.

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